budesigns » audio

True Blood

bu — Mon, 24 Aug 2009 02:26:50 +0000

I love, love, love the True Blood opening sequence.

That is all.

Beardyman on Radio 1

bu — Sun, 05 Apr 2009 03:36:46 +0000

I haven’t even listened to this yet, but after this video, I believe in Beardyman!
Beardyman Radio 1 Mix

jus uploading some tunes

bu — Sat, 21 Feb 2009 18:04:24 +0000

amon-tobin-live-aux-docks-de-lausanne-track-16
amon-tobin-live-aux-docks-de-lausanne-track-17
Monsters > Trickstep
david-after-dentist-eclectic-method-remix_1124167
hifana-connect
hifana_-power-push-breakin

Live at the Millennium Lounge

bu — Wed, 24 Dec 2008 15:59:51 +0000

Here’s a couple tracks from a 1998 Amon Tobin set. The first is actually Amon’s remix of Grief by Ryuichi Sakamoto. The second, I have no idea.

12-unknown-jungle-track

13-unknown-jungle-track

Yes We Can

bu — Fri, 17 Oct 2008 19:03:44 +0000

Slicing up the DJ Z-Trip Obama Mix into individual tracks, and wanted to get this bit up now…
(I’m making up the track names, so… nothing official)
These three tracks make up a ~5 minute portion toward the middle of the mix, with the “yes we can” speech layered in. Good stuff!

Yes We Can (pt1)

Yes We Can (pt2)

Yes We Can (pt3)

some free Tobin

bu — Sun, 13 Jan 2008 19:04:36 +0000

enjoy:

An Amon mix that aired an BBC last Feb. Includes some Two Fingers material
Go to
this page and click the Download Now button
- Tracklisting and other info is in doubleclick’s original post on the Dogs on Acid forum

also:

videos on youtube

Amon’s website
Amon on Ninjatune
Amon’s myspace

Amen, Tobin

bu — Tue, 01 May 2007 22:24:26 +0000

Saw Amon Tobin in NYC last Saturday. He blew up the Gramercy Theater with his surround sound DJ set. It was super insane. Ninjatune labelmate P Love started things off with an informal set that he talked and joked through, spinning records and playing the styophone. When Amon took the stage, all eyes were on him, and he delivered the dark, twisting, chattering and pounding rhythms that we all were there for. Bass so loud that wind blasted through the room.

The show was insane. Try to imagine this (recorded in Vienna, May 4th), in the loudest way possible.

He spins no records, but has an arsenal of sounds loaded up in his Newmark digital decks, and spins his own material interwoven with hard driving drum & bass, dancehall, and hip hop. More devious than your average bear, he doesn’t merely mix one song to the next; elements are constantly mixed in and out – parts of 3 or 4 songs can be present at any given moment. Out of the chaos emerges a solitary performance, a lyric or chord floating up triumphantly as the bass is phased down to a muted rumble, only to erupt again and engulf everything in a thunderous storm.