Category: notes


My parents and brother drove down from CT to visit us for the holidays, and my dad told me he was bringing a small box of my old stuff with them. When they arrived, I took the box to the garage, not paying much attention to it. From the items I saw on top – my college fraternity paddle and an old ABC Sports banner – I assumed it was the typical ephemera that might have been found in my old bedroom. Nothing notable.

A few days ago, after straightening up some items in the garage, I thought to take a closer look in this box. Curiously, beneath the paddle and the banner, were several items I’d never seen before. I did recognize an old book, “A Dictionary of Symbols”, that was in a cardboard sleeve, typical of the casings my grandfather would construct to hold many of his books. Everything else was unexpected: a folder full of stencils, pages torn from old design magazines explaining methods of drafting charts and graphs, a watercolor swatchbook, oil pastels, and technical pens. The pens look slightly more modern, and the pastels may have been my mom’s, but the stencils and magazine pages surely would have been tools my grandfather had gathered to aid in his graphic design work. These artifacts conjured feelings and images of a time long past, when the craft of design involved painstaking rendering, and careful hand work. In an industry that has been completely transformed by the rendering power of the computer, and again by the communications revolution of the internet, these items seem prehistoric. It was dizzying.

It was a pleasant surprise to find, and I must remember to thank my parents for dumping that “box of old stuff” here.

folder of tools 1

folder of tools 2

folder of tools 3

DelawareOnline ran an article on my uncle George, who has retired after 22 years as a Chaplain in the Delaware Air National Guard.

This fall the 166th Airlift Wing in New Castle recognized Brubaker for his service since 1985. Brubaker, 60, has retired from the Guard, though he continues as priest at St. John the Apostle in Milford and St. Bernadette in Harrington.

Articulate and soft-spoken, Brubaker struck some as an unlikely military man…But his unassuming manner served Brubaker well in the military. It made him approachable, says Master Sgt. Stephen W. Prasser, a chaplain’s assistant.

His father, the subject of this blog, is another unlikely military man, at least in my opinion. While I don’t really know the details of his time in the service (and maybe the elder Brubakers can shed some light for us here…), I do know he had the opportunity to design a logo for his unit, submit artwork to a publication, and paint at least one mural for a building in Santa Monica, while stationed there.

So they both were able to pursue their passion and bring some extra positivity to the military experience in times of war.

Well done.

This one is called Blue Beyond, and it used to have layers of blue cellophane scraps in it. Over time, it seems that the cellophane deteriorated and discolored.

The center of the upper shape was repainted with a bright red-orange, giving the painting a new life.

Christopher D’Anna, of Mars Supermarkets, was nice enough to send me these images of several Brubaker paintings that he has at his offices in Baltimore.



View full article »

Posted on the armyairforces.com forum, 7/30/2003 1:35:29 PM

Subject: 1030th AAFBU – Santa Monica, CA
Anyone have any information about it?
My grandfather (Amos “Bud” Herr Brubaker) was there for some period of time between 1941 and 1945. He designed the logo: 1030th AAFBU logo Most of what I know, came from someone he met there, who unfortunately, hasn’t written me back in some time… He writes, “The 1030th AAFBU was a rest and relaxation base (or perhaps more accurately, a spa) for Army Air Force personnel returning from overseas duty while they awaited reassignment. ” I can never seem to find anything when searching for more info.
Any ideas?
Thanks, Ben

Excerpt from American Plastic: A Cultural History

Excerpt from Poplorica: A Popular History of the Fads, Mavericks, Inventions, and Lore that Shaped Modern America

http://www.collectorsquest.com/blog/2006/07/31/vintage-nylon-stockings/

http://links.jstor.org/sici?sici=0747-9360%28199123%298%3A1%3C4%3ATDGTTF%3E2.0.CO%3B2-7&size=SMALL&origin=JSTOR-reducePage
http://links.jstor.org/sici?sici=0003-0678(199409)46%3A3%3C341%3ALTWOTT%3E2.0.CO;2-P

http://www.popula.com/items_fp/item_description.cfm?item_fp_ID=2528089

http://www.sjsu.edu/faculty/wooda/39fair.html

http://americanhistory.si.edu/archives/d8007.htm

http://heritage.dupont.com/touchpoints/tp_1935-2/depth.shtml

“Although having been patented in 1937, it wasn’t until 1939 that polymer 6.6 made its first appearance in the real world when it premiered at the New York World Fair where it created something of a stir amongst the American public. It also gained the more user-friendly name of ‘nylon’ here too, the ‘ny’ part of the name literally standing for the initials of New York.”

D. Rhees: “From ‘Merchants of Death’ to ‘Better Living Through Chemistry’: The Case of Du Pont”
“Better Things for Better Living… Through Chemistry” is a familiar slogan that came to epitomize the public image of chemistry in the United States for generations. Less familiar are the reasons why the Du Pont Company invented this slogan, which are rooted in a major public relations crisis that stemmed from its role as a munitions producer during World War I. This crisis, in which Du Pont was branded as a “merchant of death” in the public press in 1934, triggered more than a slogan, but gave rise to a broad-based advertising campaign that utilized a wide variety of educational and popular media. These techniques included sponsorship of a national radio show, films, pamphlets, a speaker’s bureau, and a remarkable series of exhibitions on the theme of the “Wonder World of Chemistry” which appeared at major science museums and state and world’s fairs. To design, execute, and evaluate this campaign, Du Pont relied on a bevy of new “experts”, including industrial designers, public relations “counselors”, and even psychologists. This episode illustrates the ways in which the public image of chemistry in the 20th century was significantly shaped by corporate needs and modern public relations techniques.

 

Until I get more of the structure of this site worked out, and come up with a better way to navigate the images, you can browse the entire images directory here.

My dad recently asked me to send him a link to the website I’d set up a few years ago, to document the art of my grandfather, Amos Herr Brubaker. As it turns out, the site was gone (it was hosted on some free service that, apparently, expired). So, I re-posted whatever ones I could find, and vowed to create a newer, bigger, better one. I will document the progress here.

Brubaker

Dominant Jet FigureFinally got some photos of my grandfather’s artwork back online. There will be more to come, as I figure out how the Brubaker project ought to take shape. It should probably get its own website, but a book is in the works as well…
Pictured here is one of my favorite paintings of his, Dominant Jet Figure. I forget the dimensions – it’s about 4′ x 5′. Painted in acrylics, I think. More images on my Flickr page.